By Gilad Atzmon
Yesterday, the Independent reported “Astonishing new research shows Nazi camp network targeting Jews was twice as big as previously thought.” But The Independent was quick and kind enough to give us an insight into the implications of this new Shoa affair. “The team behind the research, based at the United States Holocaust Memorial Museum in Washington DC, told The Independent that they believe the evidence could also be crucial to survivors trying to bring cases for compensation against Germany and other countries for time spent in camps whose existence was hitherto obscure or undocumented.”
Legendary (and very perceptive) Israeli diplomat Abba Eban had already sussed it out in the 1950s when he told us that: “There’s no business like Shoa business”
For years, I’ve been opposing European Holocaust denial laws. Among other things, I believe that those laws are designed primarily to maintain the primacy of Jewish suffering and divert attention from the sins of Zionism and Israel. But now I realise that I could have been wrong. As the Holocaust Industry runs out of steam, some Jewish institutions are engaged in sustaining the Holocaust as the mother and father of all genocides and, as we read above, they certainly know how to convert suffering into shekels. So now I grasp that Holocaust Denial Laws, may actually have been passed to save the Goyim from the inevitable inflation of future demands for further compensation such as reported above.
For now, I would advise the Holocaust Memorial Museum in Washington DC to adopt a more universal approach and, rather than focusing solely on the suffering of Jews, to look into the suffering inflicted on Palestinians by the Jewish State because, as far as we can see, the whole of Palestine is now an open air prison.
Oh, and while they’re at it, The Holocaust Memorial Museum can also look into the role Jewish lobbies are playing in the destruction Palestinine – a crime taking place before our very eyes.
Gilad Atzmon is an Israeli-born British jazz saxophonist, novelist, political activist and writer.
Atzmon’s album Exile was BBC jazz album of the year in 2003. Playing over 100 dates a year,[4] he has been called “surely the hardest-gigging man in British jazz.” His albums, of which he has recorded nine to date, often explore the music of the Middle East and political themes. He has described himself as a “devoted political artist.” He supports the Palestinian right of return and the one-state solution in the Israeli-Palestinian conflict.
His criticisms of Zionism, Jewish identity, and Judaism, as well as his controversial views on The Holocaust and Jewish history have led to allegations of antisemitism from both Zionists and anti-Zionists. A profile in The Guardian in 2009 which described Atzmon as “one of London’s finest saxophonists” stated: “It is Atzmon’s blunt anti-Zionism rather than his music that has given him an international profile, particularly in the Arab world, where his essays are widely read.”
His new book The Wandering Who? is now availble at Amazon.com
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